Sixteen
I
At No. 16 Aubrey Close, young Mrs.
Baker1 was talking to her husband. Jim
Baker, a big good-looking blond giant of a man, was intent on assembling
a model construction unit.
“Neighbours!” said Cherry. She gave a toss of her black curly head.
“Neighbours!” she said with
venom2.
She carefully lifted the frying pan from the stove, then
neatly3 shot its
contents onto two plates, one rather fuller than the other. She placed the
fuller one before her husband.
“Mixed grill,” she announced.
Jim looked up and
sniffed4 appreciatively.
“That’s something like,” he said. “What is today? My birthday?”
“You have to be well nourished,” said Cherry.
She was looking very pretty in a cerise and white striped
apron5 with
little frills on it. Jim Baker shifted the
component6 parts of a strato-cruiser
to make room for his meal. He grinned at his wife and asked:
“Who says so?”
“My Miss Marple for one!” said Cherry. “And if it comes to that,” she ad-
ded, sitting down opposite Jim and pulling her plate towards her, “I should
say she could do with a bit more solid
nourishment7 herself. That old cat of
can think of! A ‘nice custard,’ a ‘nice bread and butter pudding,’ a ‘nice
macaroni cheese.’ Squashy puddings with pink sauce. And gas, gas, gas, all
day. Talks her head off she does.”
“Invalid diet!” said Cherry and snorted. “Miss Marple isn’t an invalid—
“Who, Miss Marple?”
“No. That Miss Knight. Telling me how to do things! She even tries to tell
me how to cook! I know a lot more about cooking than she does.”
“You’re tops for cooking, Cherry,” said Jim appreciatively.
“There’s something to cooking,” said Cherry, “something you can get
your teeth into.”
Jim laughed. “I’m getting my teeth into this all right. Why did your Miss
Marple say that I needed nourishing? Did she think I looked run-down, the
other day when I came in to fix the bathroom shelf?”
Cherry laughed. “I’ll tell you what she said to me. She said, ‘You’ve got a
handsome husband, my dear. A very handsome husband.’ Sounds like one
of those period books they read aloud on the telly.”
“I hope you agreed with her?” said Jim with a grin.
“I said you were all right.”
“All right indeed! That’s a nice lukewarm way of talking.”
“And then she said ‘You must take care of your husband, my dear. Be
sure you feed him properly. Men need plenty of good meat meals, well
cooked.’”
“Hear, hear!”
“And she told me to be sure and prepare fresh food for you and not to
buy ready-made pies and things and slip them in the oven to warm up.
“You can’t do it too seldom for me,” said Jim. “They don’t taste a bit the
same.”
“So long as you notice what you eat,” said Cherry, “and aren’t so taken
up with those strato-cruisers and things you’re always building. And don’t
tell me you bought that set as a Christmas present for your nephew Mi-
chael. You bought it so that you could play with it yourself.”
“He’s not quite old enough for it yet,” said Jim apologetically.
“And I suppose you’re going on dithering about with it all the evening.
What about some music? Did you get that new record you were talking
about?”
“Yes, I did. Tchaikovski 1812.”
“That’s the loud one with the battle, isn’t it?” said Cherry. She made a
face. “Our Mrs. Hartwell won’t half like that! Neighbours! I’m fed up with
neighbours. Always
grousing14 and complaining. I don’t know which is the
worst. The Hartwells or the Barnabys. The Hartwells start rapping on the
wall as early as twenty to eleven sometimes. It’s a bit thick! After all even
the telly and the BBC go on later than that. Why shouldn’t we have a bit of
music if we like? And always asking us to turn it down low.”
“You can’t turn these things down low,” said Jim with authority. “You
don’t get the tone unless you’ve got the volume. Everyone knows that. It’s
absolutely recognized in musical circles. And what about their cat—al-
ways coming over into our garden, digging up the beds, just when I’ve got
it nice.”
“I tell you what, Jim. I’m fed up with this place.”
“You didn’t mind your neighbours up in Huddersfield,” remarked Jim.
“It wasn’t the same there,” said Cherry. “I mean, you’re all independent
there. If you’re in trouble, somebody’d give you a hand and you’d give a
hand to them. But you don’t
interfere15. There’s something about a new es-
tate like this that makes people look sideways at their neighbours. Because
we’re all new I suppose. The amount of
backbiting16 and tale-telling and
writing to the council and one thing and another round here beats me!
People in real towns are too busy for it.”
“You may have something there, my girl.”
“D’you like it here, Jim?”
“The job’s all right. And after all, this is a brand new house. I wish there
was a bit more room in it so that I could spread myself a bit more. It
would be fine if I could have a workshop.”
“I thought it was lovely at first,” said Cherry, “but now I’m not so sure.
The house is all right and I love the blue paint and the bathroom’s nice,
but I don’t like the people and the feeling round here. Did I tell you that
Lily Price and that
Harry17 of hers have broken off? It was a funny business
that day in that house they went to look over. You know when she more or
less fell out of the window. She said Harry just stood there like a stuck
pig.”
“I’m glad she’s broken off with him. He’s a no-good if I ever saw one,”
said Jim.
“No good marrying a chap just because a baby’s on the way,” said
Cherry. “He didn’t want to marry her, you know. He’s not a very nice fel-
low. Miss Marple said he wasn’t,” she added thoughtfully. “She
spoke18 to
“Miss Marple? I didn’t know she’d ever seen him?”
“Oh yes, she was round here walking the day she fell down and Mrs.
Badcock picked her up and took her into her house. Do you think Arthur
and Mrs. Bain will make a match of it?”
Jim frowned as he picked up a bit of strato-cruiser and consulted the in-
structional diagram.
“I do wish you’d listen when I’m talking,” said Cherry.
“What did you say?”
“Arthur Badcock and Mary Bain.”
“For the Lord’s sake, Cherry, his wife’s only just dead! You women! I’ve
heard he’s in a terrible state of nerves still—jumps if you speak to him.”
“I wonder why… I shouldn’t have thought he’d take it that way, would
you?”
even a passing interest in the affairs of his neighbours. “Just so that I can
spread some of these pieces out a bit.”
“To get any attention round here, you have to be a super jet, or a turbo
prop,” she said bitterly. “You and your construction models!”
She piled the tray with the
remains22 of supper and carried it over to the
sink. She
decided23 not to wash up, a necessity of daily life she always put
off as long as possible. Instead, she piled everything into the sink, haphaz-
ard, slipped on a corduroy jacket and went out of the house, pausing to
call over her shoulder:
“I’m just going to slip along to see Gladys Dixon. I want to borrow one of
“All right, old girl.” Jim
bent25 over his model.
Casting a venomous look at her next-door neighbour’s front door as she
passed, Cherry went round the corner into Blenheim Close and stopped at
No. 16. The door was open and Cherry tapped on it and went into the hall
calling out:
“Is Gladdy about?”
“Is that you, Cherry?” Mrs. Dixon looked out of the kitchen. “She’s up-
stairs in her room, dressmaking.”
“Right. I’ll go up.”
Cherry went upstairs to a small bedroom in which Gladys, a plump girl
with a plain face, was kneeling on the floor, her cheeks flushed, and sev-
eral pins in her mouth,
tacking26 up a paper pattern.
“Hallo, Cherry. Look, I got a lovely bit of stuff at Harper’s sale at Much
Benham. I’m going to do that crossover pattern with frills again, the one I
did in Terylene before.”
“That’ll be nice,” said Cherry.
Gladys rose to her feet, panting a little.
“Got indigestion now,” she said.
“You oughtn’t to do dressmaking right after supper,” said Cherry, “bend-
ing over like that.”
“I suppose I ought to slim a bit,” said Gladys. She sat down on the bed.
“Any news from the studios?” asked Cherry, always
avid27 for film news.
“Nothing much. There’s a lot of talk still. Marina Gregg came back on the
“What about?”
“She didn’t like the taste of her coffee. You know, they have coffee in the
middle of the morning. She took one
sip29 and said there was something
wrong with it. Which was nonsense, of course. There couldn’t have been.
It comes in a
jug30 straight from the canteen. Of course I always put hers in
a special china cup, rather posh—different from the others—but it’s the
same coffee. So there couldn’t have been anything wrong with it, could
there?”
“Nerves, I suppose,” said Cherry. “What happened?”
“Oh, nothing. Mr. Rudd just calmed everyone down. He’s wonderful that
way. He took the coffee from her and poured it down the sink.”
“That seems to be rather stupid,” said Cherry slowly.
“Why—what do you mean?”
“Well, if there was anything wrong with it — now nobody will ever
know.”
“Do you think there really might have been?” asked Gladys looking
alarmed.
“Well—” Cherry
shrugged31 her shoulders, “—there was something wrong
with her
cocktail32 the day of the fête, wasn’t there, so why not the coffee? If
at first you don’t succeed, try, try, try again.”
Gladys shivered.
“I don’t half like it, Cherry,” she said. “Somebody’s got it in for her all
right. She’s had more letters, you know, threatening her—and there was
that
bust33 business the other day.”
“What bust business?”
“A marble bust. On the set. It’s a corner of a room in some Austrian
palace or other. Funny name like Shotbrown. Pictures and china and
marble
busts34. This one was up on a bracket — suppose it hadn’t been
pushed back enough. Anway, a heavy lorry went past out in the road and
jarred it off—right onto the chair where Marina sits for her big scene with
Count Somebody-or-other. Smashed to smithereens! Lucky they weren’t
shooting at the time. Mr. Rudd, he said not to say a word to her, and he put
another chair there, and when she came yesterday and asked why the
chair had been changed, he said the other chair was the wrong period,
and this gave a better angle for the camera. But he didn’t half like it—I can
tell you that.”
The two girls looked at each other.
“It’s exciting in a way,” said Cherry slowly. “And yet—it isn’t….”
“I think I’m going to give up working in the canteen at the studios,” said
Gladys.
“Why? Nobody wants to poison you or drop marble busts on your
head!”
“No. But it’s not always the person who’s meant to get done in who gets
done in. It may be someone else. Like Heather Badcock that day.”
“True enough,” said Cherry.
“You know,” said Gladys, “I’ve been thinking. I was at the Hall that day,
helping35. I was quite close to them at the time.”
“When Heather died?”
“No, when she spilt the cocktail. All down her dress. A lovely dress it
was, too, royal blue nylon taffeta. She’d got it quite new for the occasion.
And it was funny.”
“What was funny?”
“I didn’t think anything of it at the time. But it does seem funny when I
think it over.”
Cherry looked at her expectantly. She accepted the adjective “funny” in
the sense that it was meant. It was not intended humorously.
“For goodness’ sake, what was funny?” she demanded.
“I’m almost sure she did it on purpose.”
“Spilt the cocktail on purpose?”
“Yes. And I do think that was funny, don’t you?”
“On a brand-new dress? I don’t believe it.”
“I wonder now,” said Gladys, “what Arthur Badcock will do with all
Heather’s clothes. That dress would clean all right. Or I could take out half
a breadth, it’s a lovely full skirt. Do you think Arthur Badcock would think
it very awful of me if I wanted to buy it off him? It would need hardly any
alteration—and it’s lovely stuff.”
“You wouldn’t—” Cherry hesitated “—mind?”
“Mind what?”
“Well—having a dress that a woman had died in—I mean died that
way….”
Gladys stared at her.
“I hadn’t thought of that,” she admitted. She considered for a moment or
two. Then she cheered up.
“I can’t see that it really matters,” she said. “After all, every time you buy
something secondhand, somebody’s usually worn it who has died, haven’t
they?”
“Yes. But it’s not quite the same.”
“I think you’re being fanciful,” said Gladys. “It’s a lovely bright shade of
blue, and really expensive stuff. About that funny business,” she contin-
ued thoughtfully, “I think I’ll go up to the hall tomorrow morning on my
way to work and have a word with Mr. Giuseppe about it.”
“Is he the Italian butler?”
“Yes. He’s
awfully36 handsome. Flashing eyes. He’s got a terrible temper.
When we go and help there, he chivvies us girls something terrible.” She
giggled37. “But none of us really mind. He can be awfully nice sometimes…
Anyway, I might just tell him about it, and ask him what I ought to do.”
“I don’t see that you’ve got anything to tell,” said Cherry.
“Well, it was funny,” said Gladys,
defiantly38 clinging to her favourite ad-
jective.
“I think,” said Cherry, “that you just want an excuse to go and talk to Mr.
Giuseppe — and you’d better be careful, my girl. You know what these
wops are like!
Affiliation39 orders all over the place. Hot-blooded and pas-
sionate, that’s what these Italians are.”
Gladys sighed ecstatically.
Cherry looked at her friend’s fat slightly
spotted40 face and decided that
her warnings were unnecessary. Mr. Giuseppe, she thought, would have
better fish to fry elsewhere.
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