(单词翻译:单击)
Time –30 minutes 38 Questions
1. Because the monkeys under study are —— the presence of human beings, they typically ——human observers and go about their business
(A) ambivalent1 about …… welcome
(B) habituated to …… disregard
(C) pleased with …… snub
(D) inhibited2 by …… seek
(E) unaware3 of …… avoid
2. Give he previously4 expressed interest and the ambitious tone of her recent speeches, the senator‘s attempt to convince the public that she is not inter- ested in running for a second term is ——。
(A) laudable
(B) likely
(C) authentic
(D) futile
(E) sincere
3. Many of her followers5 remain —— to her, and even those who have rejected her leadership are unconvinced of the —— of replacing her during the current turmoil6.
(A) opposed…… urgency
(B) friendly…… harm
(C) loyal…… wisdom
(D) cool…… usefulness
(E) sympathetic…… disadvantage
4. Unlike many recent interpretations7 of Beethoven‘s piano sonatas8, the recitalist’s performance was a delightfully9 free and introspective one; nevertheless,it was also, seemingly paradoxically, quite ——。
(A) appealing
(B) exuberant
(C) idiosyncratic
(D) unskilled
(E) controlled
5. Species with relatively11 —— metabolic12 rates, including hibernators, generally live longer than those whose metabolic rates are more rapid.
(A) prolific
(B) sedentary
(C) sluggish
(D) measured
(E) restive
6. Belying13 his earlier reputation for —— as a negotiator,Morgan had recently assumed a more —— stance for which many of his erstwhile critics praised him.
(A) intransigence…… conciliatory
(B) impropriety…… intolerant
(C) inflexibility…… unreasonable
(D) success…… authoritative
(E) incompetence…… combative
7. Although Irish literature continued to flourish after the sixteenth century, a —— tradition is ——in the visual arts: we think about Irish culture in terms of the word, not in terms of pictorial14 images.
(A) rich…… superfluous
(B) lively…… found
(C) comparable…… absent
(D) forgotten…… apparent
(E) lost…… extant
8. SILVER: TARNISH::
(A) gold: burnish
(B) steel: forge
(C) iron: rust
(D) lead: cast
(E) tin: shear
9. DISLIKE: LOATHING::
(A) appreciation15: gratification
(B) hunger: appetite
(C) void: dearth
(D) pleasure: bliss
(E) pain: ache
10. CRAVEN: HEROIC::
(A) unruly: energetic
(B) listless: attractive
(C) volatile16: constant
(D) deft17: trifling
(E) awkward: amusing
11. FILLY: HORSE::
(A) antennae18: butterfly
(B) pullet: chicken
(C) gaggle: goose
(D) duck: drake
(E) wasp19: bee
12. PITHINESS20: APHORISM::
(A) craft: art
(B) detail: sketch
(C) illusion: story
(D) exaggeration: caricature
(E) sophistication: farce
13. EPHEMERAL: ENDURING::
(A) infirm: healing
(B) insensitive: cooperating
(C) inanimate: living
(D) interminable: continuing
(E) ineffectual: proceeding21
14. POSTURER22: UNAFFECTED::
(A) brat23: insolent
(B) hypocrite: perceptive
(C) grouch24: respected
(D) bigot: tolerant
(E) rogue25: empathetic
15. FACETIOUS26: SPEECH::
(A) precocious27: learning
(B) unbecoming: color
(C) exemplary: conduct
(D) craven: timidity
(E) antic: behavior
16. VAGARY28: PREDICT::
(A) quotation29: misdirect
(B) investigation30: confirm
(C) stamina31: deplete
(D) turbulence32: upset
(E) impossibility: execute#p#
This is not to deny that the Black gospel music of the early twentieth century differed in important ways from the slave spirituals. Whereas spirituals were created and dis- seminated in folk fashion, gospel music was composed,(5) published, copyrighted, and sold by professionals. Never- theless, improvisation33 remained central to gospel music. One has only to listen to the recorded repertoire34 of gospel songs to realize that Black gospel singers rarely sang a song precisely35 the same way twice and never according to(10)its exact musical notation36. They performed what jazz musi- cians call "head arrangements" proceeding from their own feelings and from the way "the spirit" moved them at the time. This improvisatory37 element was reflected in the man- ner in which gospel music was published. Black gospel(15)composers scored the music intended for White singing groups fully10, indicating the various vocal38 parts and the accompaniment, but the music produced for Black singers included only a vocal line and piano accompaniment.
17.Which of the following best describes "head arrange- ment" as the term is used in line 11?
(A) A published version of a gospel song produced for use by Black singers
(B) A gospel song based on a slave spiritual
(C) A musical score shared by a gospel singer and a jazz musician
(D) An informally written composition intended for use by a gospel singer
(E) An improvised39 performance inspired by the singer‘s emotions
18.The author mentions "folk fashion" (line 4) most likely in order to
(A) counter an assertion about the role of improvi- sation in music created by Black people
(B) compare early gospel music with gospel music written later in the twentieth century
(C) make a distinction between gospel music and slave spirituals
(D) introduce a discussion about the dissemination40 of slave spirituals
(E) describe a similarity between gospel music and slave spirituals
19.The passage suggests which of the following about Black gospel music and slave spirituals?
(A) Both became widely known in the early twentieth century.
(B) Both had an important improvisatory element.
(C) Both were frequently performed by jazz musicians.
(D) Both were published with only a vocal line and piano accompaniment.
(E) Both were disseminated41 chiefly by Black singing groups.
20.Of the following sentences, which is most likely to have immediately preceded the passage?
(A) Few composers of gospel music drew on traditions such as the spiritual in creating their songs.
(B) Spirituals and Black gospel music were derived42 from the same musical tradition.
(C) The creation and singing of spirituals, practiced by Black Americans before the Civil War, continued after the war.
(D) Spirituals and gospel music can be clearly distinguished43 from one another.
(E) Improvisation was one of the primary charac- teristics of the gospel music created by Black musicians.
About a century ago, the Swedish physical scientist Arrhenius proposed a law of classical chemistry that relates chemical reaction rate to temperature. According to the Arrhenius equation, chemical reaction are increasingly(5) unlikely to occur as temperatures approach absolute zero,and at absolute zero (zero degrees Kelvin, or minus 273 degrees Celsius44) reactions stop. However, recent experi- mental evidence reveals that although the Arrhenius equa- tion is generally accurate in describing the kind of chemical(10)reaction that occurs at relatively high temperatures, at tem- peratures closer to zero a quantum- mechanical effect known as tunneling comes into play; this effect accounts for chem- ical reactions that are forbidden by the principles of classi- cal chemistry. Specifically, entire molecules46 can "tunnel"(15)through the barriers of repulsive47 forces from other mole- cules and chemically react even though these molecules do not have sufficient energy, according to classical chemistry,to overcome the repulsive barrier. The rate of any chemical reaction, regardless of the tem-(20)perature at which it takes place, usually depends on a very important characteristic known as its activation48 energy. Any molecule45 can be imagined to reside at the bottom of a so- called potential well of energy. A chemical reaction corre- sponds to the transition of a molecule from the bottom of(25)one potential well to the bottom of another. In classical chemistry, such a transition can be accomplished49 only by going over the potential barrier between the wells, the height of which remains50 constant and is called the activa- tion energy of the reaction. In tunneling, the reacting mole-(30)cules tunnel from the bottom of one to the bottom of another well without having to rise over the barrier between the two wells. Recently researchers have developed the concept of tunneling temperature: the temperature below which tunneling transitions greatly outnumber Arrhenius transi-(35)tions, and classical mechanics gives way to its quantum counterpart. This tunneling phenomenon at very low temperatures suggested my hypothesis about a cold prehistory of life:the formation of rather complex organic molecules in the(40)deep cold of outer space, where temperatures usually reach only a few degrees Kelvin. Cosmic rays (high-energy pro- tons and other particles) might trigger the synthesis of simple molecules, such as interstellar formaldehyde, in dark clouds of interstellar dust. Afterward51 complex organic(45)molecules would be formed, slowly but surely, by means of tunneling. After I offered my hypothesis, Hoyle and Wickramasinghe argued that molecules of interstellar form- aldehyde have indeed evolved into stable polysaccharides such as cellulose and starch52. Their conclusions, although(50)strongly disputed, have generated excitement among inves- tigators such as myself who are proposing that the galactic clouds are the places where the prebiological evolution of compounds necessary to life occurred.
21.The author of the passage is primarily concerned with
(A) describing how the principles of classical chem- istry were developed
(B) initiating53 a debate about the kinds of chemical reactions required for the development of life
(C) explaining how current research in chemistry may be related to broader biological concerns
(D) reconciling opposing theories about chemical reac- tions
(E) clarifying inherent ambiguities54 in the laws of clas- sical chemistry
22.According to the passage, classical chemical reactions and tunneling reactions are alike in which of the fol- lowing ways?
(A) In both types of reactions, reacting molecules have to rise over the barrier between the two wells.
(B) In both types of reactions, a transition is made from the bottom of one potential well to the bottom of another.
(C) In neither type of reaction does the height of the barrier between the wells remain constant.
(D) In neither type of reaction does the rate of a chemical reaction depend on its activation energy.
(E) In both types of reactions, reacting molecules are able to go through the barrier between the two wells.
23. According to the Arrhenius equation as discussed in the passage, which of the following statements about chemical reactions is true?
(A) Chemical reactions are less likely to occur at tem- peratures close to absolute zero.
(B) In some cases the rate of a chemical reaction is related to temperature and in other cases it is not.
(C) Chemical reactions frequently occur at a few degrees above absolute zero, but they are very unpredictable.
(D) The rate of a chemical reaction depends on many other factors besides temperature.
(E) Chemical reaction rate and temperature are not related.
24.The author‘s attitude toward the theory of a cold pre- history of life can best be described as
(A) neutral
(B) skeptical
(C) mildly positive
(D) very supportive
(E) pointedly55 critical
25.The author‘s hypothesis concerning be cold prehistory of life would be most weakened if which of the follow- ing were true?
(A)Cosmic rays are unlikely to trigger the formation of simple molecules.
(B)Tunneling occurs only in a narrow band of tem- peratures around zero degrees Kelvin.
(C)The synthesis of interstellar formaldehyde can be activated56 by means other than cosmic rays.
(D)Simple molecules can be synthesized by means of tunneling.
(E)Classical chemical reactions do not occur at tem- peratures close to absolute zero.
26.Which of the following best describes the hypothesis of Hoyle and Wickramasinghe as it is presented in the passage?
(A) Cosmic rays can directly synthesize complex organic molecules.
(B) The galactic clouds are the places where prebio- logical evolution of compounds necessary to life occurred.
(C) Interstellar formaldehyde can be synthesized by tunneling.
(D) Molecules of interstellar formaldehyde can evolve into complex organic molecules.
(E) Complex organic molecules can be synthesized from stable polysaccharides such as cellulose and starch.
27.Which of the following best describes the organization of the first two paragraphs of the passage?
(A) The author cites a basic principle of classical chemistry and then describes the research from which that principle was developed.
(B) The author cites an apparent contradiction to the principles of classical chemistry and then explains the process of a chemical reaction to show there is in fact no contradiction.
(C) the author describes the role of heat in chemical reactions and then offers a detailed57 explanation of its function.
(D) The author presents a law of classical chemistry in order to introduce a kind of chemical reaction that differs from it and then explains the essen- tial difference between the two.
(E) The author presents the fundamental rules of clas- sical chemistry in order to introduce an explana- tion of a specific chemical reaction.
28. PREFACE:
(A) improvisation
(B) burlesque
(C) epilogue
(D) tangent
(E) backdrop
29. DEBILITATE:
(A) implicate
(B) invigorate
(C) obfuscate
(D) realign
(E) encumber
30. TASTY:
(A) uninteresting
(B) unfamiliar
(C) unexpected
(D) understated
(E) undervalued
31. ABNEGATE:
(A) refresh
(B) reaffirm
(C) relieve
(D) react
(E) reform
32. SERRIED:
(A) partially58 formed
(B) widely separated
(C) narrowly missed
(D) extremely grateful
(E) reasonably clean
33. BOMBASTIC:
(A) unflappable
(B) uninspired
(C) unpretentious
(D) inscrutable
(E) incisive
34. BANAL:
(A) comfortable
(B) novel
(C) equal
(D) fatal
(E) competent
35. LANGUISH:
(A) agitate
(B) wander
(C) relieve
(D) discomfit
(E) thrive
36. ENNUI:
(A) intimidation
(B) sleaze
(C) faint recollection
(D) keen interest
(E) deep reservation
37.DAUNTLESS:
(A) sophomoric
(B) trifling
(C) pusillanimous
(D) specious
(E) parsimonious
38.TEMERITY:
(A) credibility
(B) authority
(C) celebrity
(D) acrimony
(E) circumspection
收听单词发音
1
ambivalent
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| adj.含糊不定的;(态度等)矛盾的 | |
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inhibited
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| a.拘谨的,拘束的 | |
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unaware
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| a.不知道的,未意识到的 | |
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previously
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| adv.以前,先前(地) | |
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followers
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| 追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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turmoil
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| n.骚乱,混乱,动乱 | |
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interpretations
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| n.解释( interpretation的名词复数 );表演;演绎;理解 | |
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sonatas
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| n.奏鸣曲( sonata的名词复数 ) | |
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delightfully
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| 大喜,欣然 | |
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fully
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| adv.完全地,全部地,彻底地;充分地 | |
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relatively
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| adv.比较...地,相对地 | |
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metabolic
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| adj.新陈代谢的 | |
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belying
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| v.掩饰,与…不符,使…失望;掩饰( belie的现在分词 );证明(或显示)…为虚假;辜负;就…扯谎 | |
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pictorial
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| adj.绘画的;图片的;n.画报 | |
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appreciation
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| n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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volatile
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| adj.反复无常的,挥发性的,稍纵即逝的,脾气火爆的;n.挥发性物质 | |
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deft
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| adj.灵巧的,熟练的(a deft hand 能手) | |
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antennae
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| n.天线;触角 | |
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wasp
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| n.黄蜂,蚂蜂 | |
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pithiness
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| n.有力,简洁;髓化现象 | |
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proceeding
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| n.行动,进行,(pl.)会议录,学报 | |
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posturer
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| 摆出某种姿态的人,装腔作势的人,杂技演员 | |
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brat
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| n.孩子;顽童 | |
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grouch
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| n.牢骚,不满;v.抱怨 | |
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rogue
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| n.流氓;v.游手好闲 | |
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facetious
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| adj.轻浮的,好开玩笑的 | |
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precocious
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| adj.早熟的;较早显出的 | |
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vagary
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| n.妄想,不可测之事,异想天开 | |
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quotation
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| n.引文,引语,语录;报价,牌价,行情 | |
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investigation
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| n.调查,调查研究 | |
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stamina
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| n.体力;精力;耐力 | |
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turbulence
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| n.喧嚣,狂暴,骚乱,湍流 | |
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33
improvisation
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| n.即席演奏(或演唱);即兴创作 | |
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34
repertoire
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| n.(准备好演出的)节目,保留剧目;(计算机的)指令表,指令系统, <美>(某个人的)全部技能;清单,指令表 | |
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precisely
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| adv.恰好,正好,精确地,细致地 | |
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notation
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| n.记号法,表示法,注释;[计算机]记法 | |
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improvisatory
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| 即席的 | |
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vocal
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| adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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improvised
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| a.即席而作的,即兴的 | |
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dissemination
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| 传播,宣传,传染(病毒) | |
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disseminated
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| 散布,传播( disseminate的过去式和过去分词 ) | |
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derived
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| vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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distinguished
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| adj.卓越的,杰出的,著名的 | |
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Celsius
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| adj.摄氏温度计的,摄氏的 | |
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molecule
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| n.分子,克分子 | |
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molecules
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| 分子( molecule的名词复数 ) | |
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repulsive
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| adj.排斥的,使人反感的 | |
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activation
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| n. 激活,催化作用 | |
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accomplished
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| adj.有才艺的;有造诣的;达到了的 | |
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remains
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| n.剩余物,残留物;遗体,遗迹 | |
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afterward
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| adv.后来;以后 | |
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starch
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| n.淀粉;vt.给...上浆 | |
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initiating
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| v.开始( initiate的现在分词 );传授;发起;接纳新成员 | |
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ambiguities
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| n.歧义( ambiguity的名词复数 );意义不明确;模棱两可的意思;模棱两可的话 | |
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pointedly
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| adv.尖地,明显地 | |
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activated
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| adj. 激活的 动词activate的过去式和过去分词 | |
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detailed
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| adj.详细的,详尽的,极注意细节的,完全的 | |
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partially
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| adv.部分地,从某些方面讲 | |
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